I’ll admit, I didn’t know who Madame Grès was until one of the contestants on The Fashion Show did an awful job in modernizing her designs. The challenge was for the contestants to put a modern twist to a legendary designer’s legacy (Coco Chanel, YSL, Dior, Pucci and Halston where the other designers) and Merlin, the contestant who got Madame Grès, didn’t know who she was. When he admitted as much during judging, the judges of the show, Isaac Mizrahi and Iman among them, nearly had heart attacks.
I remember googling her and photos of her her designs and thinking they were beautiful. Then I forgot about her. Fast-forward a few years later and I read Garance Doré’s post on the Madame Grès exhibition in the Musée Bourdelle. Garance’s photos and, of course, the dresses themselves made me want to go and see the exhibit myself. As luck would have it, the exhibition was extended, and I was able to go and see it in Paris.
And I am so glad I did. The collection, 80 or so pieces from the 1930s to the 1970s, was remarkable.
Set against the background of sculptor Antoine Bourdelle’s work and home, each piece showcased Madame Grès’ (real name Germaine Émilie Krebs) mastery of the feminine form and of fabric.
The bulk of the collection was made up of her trademark pleated dresses, and rightly so. All looked deceptively simple, but were some of the most intricately structured pieces of clothing I have ever seen.
Each dress made me want to photograph every single inch of it.
And from every possible angle.
Needless to say, I took a lot of photos.
This post is just meant to be a teaser of sorts, a peek into the exceptionally curated exhibition. I’ll be working on more posts soon (sorry guys, but a two week vacation + 1.5 weeks of business trips = a horribly clogged up inbox), with more amazing dresses, including more of my favorites, so bear with me.
In the meantime, you can click on here to see my set on the exhibtion on Flickr.